Some of us are old enough to remember when the RIAA sued children for downloading Metallica albums on filesharing networks. They sued for $100,000 per song, an absurd amount when you consider that even stealing a physical album would amount only to around $1 per song. What was bizarre was that courts took the figure seriously, even if they typically settled cases for around $3,000, still around 30x actual damages. The legal maximum was $150,000 per infringement: when a staffer leaked an early cut of the Wolverine movie, the studio could only sue for that much.
Remember that Metallica band members played an active driving role in those lawsuits against their own underage fans. It wasn't just the RIAA / record company organizations behaving cruelly, it was Metallica themselves. Fuck Metallica.
I still can't listen to a Metallica song on the radio without feeling a bit sour. I wasn't a die hard superfan or anything, but their songs were pretty good. It really didn't help that they had cultivated this tough guy image and then turned into total whiners about piracy.
Killed Napster and forced them overseas to create one of the most toxic streaming platforms for music the world has ever seen. Spotify. Sean Parker used to be cool…
IIRC, Dave Grohl actually gave a lot of shit to Metallica, claiming that it would be one thing if this were some indie band selling cassettes having their music stolen, but it's another when multi-millionaires are crying that they aren't getting extra money.
As if they are not allowed to make mistakes. If you watched more recent interviews, they understand that it was not cool on their part. Musically once per album they still have some interesting and somewhat innovative tracks still.
Yeah, but remember how joyful we'd have been if copyright had been this weak in 2003. As long as this flows down to regular people instead of just corps, then copyright won't halt societal development as much as previously anymore. The weakening of copyright is a great thing.
Just step back into space. Pretend you're so high that you can see your own person from outside yourself, like you are the CCTV camera in the corner. Now look at copyright, the law about the restriction of the right to copy to a select group. It's an absurd sight, like a bad trip.
This might be relief, we might hopefully get past copyright and patents and just have innovation free for all.
Sure, it can flow down to regular people now, because regular people don’t have access to 10s of millions of dollars to train a trillion parameter llm…
Do you say the same thing about being required to wear pants in public?
Agreed that the extreme it has been taken to is absurd and entirely counterproductive though. 20-ish years was already a long time. If it takes you more than 20 years to market your book perhaps people just don't really like it all that much?
Your memory may be failing you. The "maxima" you cite still exist, but they are merely statutory damages provisions. In other words, the plaintiffs can obtain such damages without proof of actual loss, i.e. strict liability. If the plaintiffs succeed in pricing actual damages beyond this level, they can obtain them.
Furthermore, in most copyright lawsuits that nerds like us actually care about (i.e. ones involving service providers and not actual artists or publishers), the number of works infringed is so high that the judge can just work backwards from the desired damage award and never actually hit the statutory damages cap. If the statutory damages limit was actually reached in basically any intermediary liability case, we'd be talking about damage awards higher than the US GDP.
So, does this mean that people can simply argue in court now (if they were to be prosecuted for downloading media via bittorrent) that it is fair use if they used it to train a local model on their machine?
People could always simply argue in court that their torrenting was free use.
If you're just some nobody representing yourself instead of an expensive lawyer acting on behalf of a large company, maybe the judge will even try to be extra nice when he explains why the argument doesn't hold water.
Of course not. It is just yet another example of a 7-8 figure expensive attorney and their billions dollar corporation wasting everyone' time, tax payers dollars, and demonstrating that the law applies to us and not them. I expect them to just stop showing up in court in time. What can the court do when these people own the people that write the laws?
I always wondered - were the huge fines applicable because they shared the files, or because they downloaded the files? The two things were always conflated and poorly understood in media reports at the time.
Seems like it would be impossible to prove substantial damages from one individual downloading an album, because you have only lost the potential single sale. No different than a kid stealing a single CD in terms of lost revenue.
Sharing the song on Kazaa or Limewire or Napster however means that they could have potentially illicitly provided the album to thousands or even millions of potential customers, more akin to stealing a truckload or even a whole store full of cds. In that case, it does seem plausible that you could prove (or at least convince a judge/jury) significant damages more in line with the exorbitant punitive sums.
Since they “caught” you by setting up fake peers that recorded your ip when sharing, I always assumed it was the latter that actually got people in trouble.
Those kids should have just pirated all the music they could, turned it into a multi billion dollar business, and had lawyers fight for them in court. As long as enough money is involved you can just about anything you want.
You are off a bit on the numbers. First, though, the RIAA suits were not for downloading. The suits were for distribution.
Here is how their enforcement actions generally went.
1. They would initially send a letter asking for around $3 per song that was being shared, threatening to sue if not paid. This typically came to a total in the $2-3k range. There were a few where the initial request was for much more such as when the person was accused of an unusually high volume of intentional distribution. But for the vast majority of people who were running file sharing apps in order to get more music for themselves rather than because they wanted to distribute music it averaged in that $2-3k range.
2. If they could not come to an agreement and actually filed a lawsuit they would pick maybe 10-25 songs out of the list of songs the person was sharing (typically around a thousand) to actually sue over. The range of possible damages in such a suit is $750-30000 per work infringed, with the court (judge and jury) picking the amount [1].
NOTE: it is per "work infringed", not per infringement. The number of infringements will be one of the factors the court will consider when deciding where in that $750-30000 range to go.
3. There would be more settlement offers before the lawsuit actually went to trial. These would almost always be in the $200-300 per song range, which since the lawsuit was only over maybe a dozen or two of the thousand+ songs the person had been sharing usually came out to the same ballpark as the settlement offers before the suit was filed.
Almost everyone settled at that point, because they realized that (1) they had no realistic chance of winning, (2) they had no realistic chance of proving they were were an "innocent infringer", (3) minimal statutory damages then of $750/song x 10-15 songs was more than the settlement offer, and (4) on top of that they would have not only their attorney fees but in copyright suits the loser often has to pay the winner's attorney fees.
4. Less than a dozen cases actually reached trial, and most of those settled during the trial for the same reasons in the above paragraph that most people settled before trial. Those were in the $3-15k range with most being around $5k.
[1] If the defendant can prove they are in "innocent infringer", meaning they didn't know they were infringing and had no reason to know that, then the low end is lowered to $200. If the plaintiff can prove that the infringement was "willful", meaning the defendant knew it was infringement and deliberately did it, the high end is raised to $150k.
> NOTE: it is per "work infringed", not per infringement. The number of infringements will be one of the factors the court will consider when deciding where in that $750-30000 range to go.
But that's the whole problem, isn't it? Consider how a P2P network operates. There are N users with a copy of the song. From this we know that there have been at most N uploads, for N users, so the average user has uploaded 1 copy. Really slightly less than 1, since at least one of them had the original so there are N-1 uploads and N users and the average is (N-1)/N.
There could be some users who upload more copies than others, but that only makes it worse. If one user in three uploads three copies and the others upload none, the average is still one but now the median is zero -- pick a user at random and they more likely than not haven't actually distributed it at all.
Meanwhile the low end of the statutory damages amount is 750X the average, which is why the outcome feels absurd -- because it is.
Consider what happens if 750 users each upload one copy of a $1 song. The total actual damages are then $750, but the law would allow them to recover a minimum of $750 from each of them, i.e. the total actual damages across all users from each user. The law sometimes does things like that where you can go after any of the parties who participated in something and try to extract the entire amount, but it's not that common for obvious reasons and the way that usually works is that you can only do it once -- if you got the $750 from one user you can't then go to the next user and get another $750, all you should be able to do is make them split the bill. But copyright law is bananas.
Children are afforded more lenience in sane societies (before the law and in social contexts) because they are still developing and not as well socialized/experienced as adults. I assume most pro-piracy people support personal use and not commercial use of content.
We support copyright reform not piracy. The reason we do is because corporate giants have weaponized the system for their own ends and not for our useful promotion of the arts and sciences.
So.. I don't think it's appropriate for billion dollar companies to abuse copyrighted authored material for their own profit streams. They have the money. They can either pay or not use the material.
By no means were they suing for downloading alone. They were suing for sharing while downloading, and seeding after, and as "early seeders" they helped thousands obtain copies.
Right or wrong, it was absolutely not about just downloading. It wasn't about taking one copy.
In their eyes, it was about copyng then handing out tens of thousands of copies for free.
Again, not saying it was right. However, please don't provide an abridged account, slanted to create a conclusion in the reader.
> Anyone who uses BitTorrent to transfer files automatically uploads content to other people, as it is inherent to the protocol. In other words, the uploading wasn’t a choice, it was simply how the technology works.
What an argument to make in court. It can be proved false in minutes by the plaintiffs.
Seeding is opt-out, not opt-in… but it is usually a default that has to actively manually overridden. Most users never touch those settings. The average pirate downloading a torrent is seeding whether they know it or not.
The protocol absolutely does not enforce seeding. A client can lie to the tracker, cap upload to 0k. BitTorrent has no mechanism to compel one to share. Leeching a file, downloading and sharing no forward packets is possible. While the "social contract" of seeding is entirely a norm enforced by private trackers and community shame. It is not the protocol itself.
you're uploading before seeding, and i'm willing to bet Meta weren't seeding but, as they correctly stated in that regard, they're sharing even when they try their best not to because of the way the protocol works as zero-upload is typically impractical for any significant size files
some trackers will additionally penalise you for not sharing file parts, but this depends on the tracker
I can't believe that no one has ever tried that one before... So do we now roll back all of the previous copyright cases where downloading music with bittorrent has been prosecuted?
> So do we now roll back all of the previous copyright cases where downloading music with bittorrent has been prosecuted
No, because those cases were pirating-while-poor. This is pirating-while-trillion-dollar-corporation, which falls under a completely different section of the law.
From my understanding, Meta's use of the pirated book was accepted as fair use and the plaintiffs admitted to no harm. In the case of pirated music and films, neither of those points are made. Copyright holders assume people who pirate would have bought the content, usually even assuming that one download is one lost sale. And I am not aware of a single case where watching or listening to pirated content was accepted as fair use.
It is interesting to follow how this plays out for Meta and how that will impact future cases.
When I pull the trigger and the bullet kills an another person, it is just how technology works. Why would I be responsible if I choose to use it or not?
My client didn't "buy" illegal drugs. He received illegal drugs. But anyone who makes a drug deal automatically sends money to the drug dealer, as inherent of the protocol. In other words, "giving money for drugs" wasn't a choice, it was simply how drug deals work.
The world has become so strange. In my pirate youth, I would have never imagined the big companies to argue in courts like this, basically pro piracy. And the activists are now against it, because the big guys are doing it.
> And the activists are now against it, because the big guys are doing it.
Different activists are different. "Information wants to be free" activists are against different things from "artists trying to make an honest living" activists.
And different big guys are different. A big guy AI company wants different things from a big guy book publisher.
> Different activists are different. "Information wants to be free" activists are against different things from "artists trying to make an honest living" activists.
...uhhh, I mean, maybe my perspective is skewed because I largely run in bluegrass/deadhead circles, but the venn diagram of these two seems to be nearly a circle.
> And the activists are now against it, because the big guys are doing it.
The activists are against it because the big guys are exploiting us small guys, again. Nobody would give a shit if Meta was just torrenting Nintendo's IP and OpenAI was torrenting Netflix IP, except the lawyers working for these companies.
People would care if Meta is allowed to torrent from Nintendo and they aren’t, because they’d care if Meta bought licenses from Nintendo and open models couldn’t get those licenses.
I have no issue with anyone pirating. In my country — and soon in Italy as well — all storage media sales include a small levy (Artisjus) intended to compensate copyright holders for losses from piracy. One could argue it's unfair if you're not actually using the media for copying, but having been forced to pay it regardless, I have no moral qualms about pirating content I don't feel like paying for.
By the same token, AI companies are in no position to complain when their models are scraped and distilled.
Why is it fair that you get to be subsidized by everyone who does pay? Imagine a world where everyone had the same attitude as you and did not pay for any media. Pirates get to pirate only because most people don’t. So why are you so special?
Spain too; but legally sharing books and media without profit it's allowed.
Still, they should pay me in order to listen all the mediocre music and crappy 'best sellers' they often produce. More than often I'd just buy some indie book from a small publisher which has much better stories than the whole mainstream.
Heck; every time I try to read some Spaniard technotriller it justs sucks because they focus on crappy emotions everytime focusing near nil on scientific facts or tecnological backgrounds. If any, of course. Hello, Gómez Jurado with the Red Queen sagas.
Meanwhile, people writting half-fantasy/half-geopolitics fiction such as Fabián Plaza with its book depicting a paranormal Cold War were the Spanish Francoist regime never ended and the USSR took the whole Germany for itself, you will get more enganing books. The hippies in Woodstock summoned magical Lovecraftian monsters and the CIA/KGB among paranormal agencies try to fight these. The even mention Orgonic fields and
tons of American floklore on paranormal experiments from the CIA/USSR.
We all know it's actual bullshit but it's documented bullshit.
Modulo the magic, the author applied as a diplomat for Spain a few decades ago so he knows
how to create a thriller by predicting how the characters will behave psichologically much better than the Gómez Jurado's books creating
an Aspie Mary Sue character getting aspull skills.
The mainstream alternative? Some Humanities woman as the maincharacter alleging bullshit 'prime number finding' in order to boost IQ as a goverment experiment against another high IQ psychopath.
The media in Spain sucks because Spain arrived late to a scientifical mindset socially -thanks, Francoist /s- and male/female Humanities people dominate both the press and the literary world. Instead of Gideon Crew like books (which are a bit bullshit, but with a bit of realism too) like sagas, we get drama bound thrillers with no actual research; if any, hidden Apple product placements.
You would say, heck, Dan Brown it's the same and Tom Clancy's novels are a joke against the ones from actually versed people throwing stereotypes away because they did a good research (the US is not just a bigger Texas and Spain is not a big Andalusia), but that's not the issue here.
The matter it's that most of the readers in Spain are women, and somehow they are afraid of reading a thriller with less drama and emotions and more action (action women do exist you know) and resolution and developing actual skills o the spot instead of aspulling them.
Just look at text adventures. Anchorhead it's just a modern Lovecraft retelling but it has a female protagonist and you as the player should drive her solving all the ingame puzzles. If something like that existed in 1998, the Spaniard should be able to write tons of interesting media (books and series)
where crimes were not solved with people
just happening to be in the right spot at some specific time. That's a cheap writting and an obvious neglection to the reader allowing him to join the proofs together.
Big companies are stealing to enrich themselves, while small time pirates were pirating for their own entertainment. Some of the latter went to jail. While the former rake in the dough.
It's not like there has been some change in principle and some sort of knife to sharpen. "2005 personal pirate" was about making art accessible. "2025 corpo pirate" is about killing art.
LLMs make pirated art more accessible, and 2005 pirates allegedly harmed artists by decreasing their sales.
The significant change is that 2025 corpo pirates are big corporations, and 2005 personal pirates are individuals. And I think the larger issue is that the big corpo pirates get away with what 2025 personal pirates wouldn’t.
Anyways, my opinion is that we should get rid of IP, but only with a replacement that ensures creators still get paid. I lean towards piracy being a small sin: immoral, but you can easily be a pirate and still overall moral person.
2005 piracy had little to do to with making art accessible. For the most part it seemed more like getting for free the digital things we couldn't pay or and/or felt entitled to, with many justifications layered on top.
Just need to get around to understand that on many subjects big companies are not uniform block... They all have their own goals and ways of profit. Other than exploiting the consumers and state.
Somehow I doubt the precedent will apply to common folk. There will be some obscene carevout like “piracy fair use for corporations training frontier models” and we’ll be even worse off than we were before.
Politics will make more sense once you realize that no one is really trying to have consistent principles.
People (and corporations/politicians/neighborhood groups/unions/countries/whatever) are by and large for whatever they think will benefit them, and against what they think will hurt them.
Billy downloading a copy of Game of Thrones because he's too poor to afford one, is radically different than super billionaires who just don't want to pay for a license.
Meta, Open AI and everyone else playing this game has enough money to pay the best lawyers on earth. They can act with impunity.
I could even imagine them getting a law passed, a license to ignore copywrite law. Of course Billy don't qualify. It'll only be for the billionaires and maybe a handful of millionaires.
I wonder if big companies will now start paying shadow libraries like annas archive for direct access, to minimize publicity of how training data was acquired, like Nvidia supposedly did?
Few tens of thousands of dollars is a rounding error in Meta's bottom line but if this case goes anything like the Anthropic one, I would see it likely.
Of course it wouldn't prevent authors from asking LLM's for content from their books and suing Meta again but I imagine authors would be less likely to with less evidence.
Aaron swartz paid with his life for the same mission. just because some over zealous, psycho attorney called Carmen Ortiz decided to put him in behind the bars for life. I hope and wish that young man lived a prosperous life.
ICE played an important role in those cases with long supply chains. Seems quaint now, but I think we should acknowledge any criminal who does not participate in a child abuse ring. Those counterfeit DVDs were not illegal content, just illegal storefronts.
If today’s ICE or FBI uncovered such a ring, who would they call first?
Everything bends to power, by definition. And laws can’t be impartial because they’re not based in hard science: terms like “murder”, “assault”, “theft”, etc. are ambiguous thus up to interpretation (e.g. is a scam theft? If so, what defines a scam? If “lying”, what’s the difference from “misleading”, or if there’s no difference, what defines “misleading”…)
My best idea for a solution is better education, so people don’t make bad laws then badly enforce them.
Everyone's pointing out the obvious hypocrisy here, but I think it's more interesting if Meta succeeds in making this argument: can I just steal any book I want and share it with anyone? Does the same apply to music, movies, TV shows, and video games?
Readit News
[1] https://arstechnica.com/tech-policy/2010/10/kiss-frontman-we...
https://www.theguardian.com/world/2008/jun/19/usa.guantanamo
Found it: https://youtu.be/Yy45qY9c49k
https://www.youtube.com/watch?v=mb_jLAisPzk
Just step back into space. Pretend you're so high that you can see your own person from outside yourself, like you are the CCTV camera in the corner. Now look at copyright, the law about the restriction of the right to copy to a select group. It's an absurd sight, like a bad trip.
This might be relief, we might hopefully get past copyright and patents and just have innovation free for all.
Do you say the same thing about being required to wear pants in public?
Agreed that the extreme it has been taken to is absurd and entirely counterproductive though. 20-ish years was already a long time. If it takes you more than 20 years to market your book perhaps people just don't really like it all that much?
Linear arithmetic is one hell of a drug.
Beyond what level? I am loosing you on that.
If you're just some nobody representing yourself instead of an expensive lawyer acting on behalf of a large company, maybe the judge will even try to be extra nice when he explains why the argument doesn't hold water.
Seems like it would be impossible to prove substantial damages from one individual downloading an album, because you have only lost the potential single sale. No different than a kid stealing a single CD in terms of lost revenue.
Sharing the song on Kazaa or Limewire or Napster however means that they could have potentially illicitly provided the album to thousands or even millions of potential customers, more akin to stealing a truckload or even a whole store full of cds. In that case, it does seem plausible that you could prove (or at least convince a judge/jury) significant damages more in line with the exorbitant punitive sums.
Since they “caught” you by setting up fake peers that recorded your ip when sharing, I always assumed it was the latter that actually got people in trouble.
Stupid kids
Here is how their enforcement actions generally went.
1. They would initially send a letter asking for around $3 per song that was being shared, threatening to sue if not paid. This typically came to a total in the $2-3k range. There were a few where the initial request was for much more such as when the person was accused of an unusually high volume of intentional distribution. But for the vast majority of people who were running file sharing apps in order to get more music for themselves rather than because they wanted to distribute music it averaged in that $2-3k range.
2. If they could not come to an agreement and actually filed a lawsuit they would pick maybe 10-25 songs out of the list of songs the person was sharing (typically around a thousand) to actually sue over. The range of possible damages in such a suit is $750-30000 per work infringed, with the court (judge and jury) picking the amount [1].
NOTE: it is per "work infringed", not per infringement. The number of infringements will be one of the factors the court will consider when deciding where in that $750-30000 range to go.
3. There would be more settlement offers before the lawsuit actually went to trial. These would almost always be in the $200-300 per song range, which since the lawsuit was only over maybe a dozen or two of the thousand+ songs the person had been sharing usually came out to the same ballpark as the settlement offers before the suit was filed.
Almost everyone settled at that point, because they realized that (1) they had no realistic chance of winning, (2) they had no realistic chance of proving they were were an "innocent infringer", (3) minimal statutory damages then of $750/song x 10-15 songs was more than the settlement offer, and (4) on top of that they would have not only their attorney fees but in copyright suits the loser often has to pay the winner's attorney fees.
4. Less than a dozen cases actually reached trial, and most of those settled during the trial for the same reasons in the above paragraph that most people settled before trial. Those were in the $3-15k range with most being around $5k.
[1] If the defendant can prove they are in "innocent infringer", meaning they didn't know they were infringing and had no reason to know that, then the low end is lowered to $200. If the plaintiff can prove that the infringement was "willful", meaning the defendant knew it was infringement and deliberately did it, the high end is raised to $150k.
They were not all the same, some were fairly complicated cases, and one was undoubtedly for distribution.
`The court’s instructions defined “reproduction” to include “[t]he act of downloading copyrighted sound recordings on a peer-to-peer network.”'
From:
https://cases.justia.com/federal/appellate-courts/ca8/11-282...
But that's the whole problem, isn't it? Consider how a P2P network operates. There are N users with a copy of the song. From this we know that there have been at most N uploads, for N users, so the average user has uploaded 1 copy. Really slightly less than 1, since at least one of them had the original so there are N-1 uploads and N users and the average is (N-1)/N.
There could be some users who upload more copies than others, but that only makes it worse. If one user in three uploads three copies and the others upload none, the average is still one but now the median is zero -- pick a user at random and they more likely than not haven't actually distributed it at all.
Meanwhile the low end of the statutory damages amount is 750X the average, which is why the outcome feels absurd -- because it is.
Consider what happens if 750 users each upload one copy of a $1 song. The total actual damages are then $750, but the law would allow them to recover a minimum of $750 from each of them, i.e. the total actual damages across all users from each user. The law sometimes does things like that where you can go after any of the parties who participated in something and try to extract the entire amount, but it's not that common for obvious reasons and the way that usually works is that you can only do it once -- if you got the $750 from one user you can't then go to the next user and get another $750, all you should be able to do is make them split the bill. But copyright law is bananas.
It's funny, because now in the age of AI, many of the people that support piracy are now trying to stop AI companies from doing the same thing.
> I should trot out all of the justifications here.
I'll start: personal use instead of profit. Certainly a difference, not convinced justification is required or even advisable.
So.. I don't think it's appropriate for billion dollar companies to abuse copyrighted authored material for their own profit streams. They have the money. They can either pay or not use the material.
^ sociopathic legalists really do think this way.
Dead Comment
Dead Comment
By no means were they suing for downloading alone. They were suing for sharing while downloading, and seeding after, and as "early seeders" they helped thousands obtain copies.
Right or wrong, it was absolutely not about just downloading. It wasn't about taking one copy.
In their eyes, it was about copyng then handing out tens of thousands of copies for free.
Again, not saying it was right. However, please don't provide an abridged account, slanted to create a conclusion in the reader.
What an argument to make in court. It can be proved false in minutes by the plaintiffs.
Seeding is opt-out, not opt-in… but it is usually a default that has to actively manually overridden. Most users never touch those settings. The average pirate downloading a torrent is seeding whether they know it or not.
The protocol absolutely does not enforce seeding. A client can lie to the tracker, cap upload to 0k. BitTorrent has no mechanism to compel one to share. Leeching a file, downloading and sharing no forward packets is possible. While the "social contract" of seeding is entirely a norm enforced by private trackers and community shame. It is not the protocol itself.
Deleted Comment
you're uploading before seeding, and i'm willing to bet Meta weren't seeding but, as they correctly stated in that regard, they're sharing even when they try their best not to because of the way the protocol works as zero-upload is typically impractical for any significant size files
some trackers will additionally penalise you for not sharing file parts, but this depends on the tracker
No, because those cases were pirating-while-poor. This is pirating-while-trillion-dollar-corporation, which falls under a completely different section of the law.
It is interesting to follow how this plays out for Meta and how that will impact future cases.
Deleted Comment
Different activists are different. "Information wants to be free" activists are against different things from "artists trying to make an honest living" activists.
And different big guys are different. A big guy AI company wants different things from a big guy book publisher.
...uhhh, I mean, maybe my perspective is skewed because I largely run in bluegrass/deadhead circles, but the venn diagram of these two seems to be nearly a circle.
https://pickipedia.xyz/wiki/DRM-free
The activists are against it because the big guys are exploiting us small guys, again. Nobody would give a shit if Meta was just torrenting Nintendo's IP and OpenAI was torrenting Netflix IP, except the lawyers working for these companies.
By the same token, AI companies are in no position to complain when their models are scraped and distilled.
Still, they should pay me in order to listen all the mediocre music and crappy 'best sellers' they often produce. More than often I'd just buy some indie book from a small publisher which has much better stories than the whole mainstream.
Heck; every time I try to read some Spaniard technotriller it justs sucks because they focus on crappy emotions everytime focusing near nil on scientific facts or tecnological backgrounds. If any, of course. Hello, Gómez Jurado with the Red Queen sagas.
Meanwhile, people writting half-fantasy/half-geopolitics fiction such as Fabián Plaza with its book depicting a paranormal Cold War were the Spanish Francoist regime never ended and the USSR took the whole Germany for itself, you will get more enganing books. The hippies in Woodstock summoned magical Lovecraftian monsters and the CIA/KGB among paranormal agencies try to fight these. The even mention Orgonic fields and tons of American floklore on paranormal experiments from the CIA/USSR. We all know it's actual bullshit but it's documented bullshit. Modulo the magic, the author applied as a diplomat for Spain a few decades ago so he knows how to create a thriller by predicting how the characters will behave psichologically much better than the Gómez Jurado's books creating an Aspie Mary Sue character getting aspull skills.
The mainstream alternative? Some Humanities woman as the maincharacter alleging bullshit 'prime number finding' in order to boost IQ as a goverment experiment against another high IQ psychopath.
The media in Spain sucks because Spain arrived late to a scientifical mindset socially -thanks, Francoist /s- and male/female Humanities people dominate both the press and the literary world. Instead of Gideon Crew like books (which are a bit bullshit, but with a bit of realism too) like sagas, we get drama bound thrillers with no actual research; if any, hidden Apple product placements.
You would say, heck, Dan Brown it's the same and Tom Clancy's novels are a joke against the ones from actually versed people throwing stereotypes away because they did a good research (the US is not just a bigger Texas and Spain is not a big Andalusia), but that's not the issue here.
The matter it's that most of the readers in Spain are women, and somehow they are afraid of reading a thriller with less drama and emotions and more action (action women do exist you know) and resolution and developing actual skills o the spot instead of aspulling them.
Just look at text adventures. Anchorhead it's just a modern Lovecraft retelling but it has a female protagonist and you as the player should drive her solving all the ingame puzzles. If something like that existed in 1998, the Spaniard should be able to write tons of interesting media (books and series) where crimes were not solved with people just happening to be in the right spot at some specific time. That's a cheap writting and an obvious neglection to the reader allowing him to join the proofs together.
The significant change is that 2025 corpo pirates are big corporations, and 2005 personal pirates are individuals. And I think the larger issue is that the big corpo pirates get away with what 2025 personal pirates wouldn’t.
Anyways, my opinion is that we should get rid of IP, but only with a replacement that ensures creators still get paid. I lean towards piracy being a small sin: immoral, but you can easily be a pirate and still overall moral person.
https://www.nytimes.com/2015/05/05/sports/periscope-a-stream...
People (and corporations/politicians/neighborhood groups/unions/countries/whatever) are by and large for whatever they think will benefit them, and against what they think will hurt them.
Meta, Open AI and everyone else playing this game has enough money to pay the best lawyers on earth. They can act with impunity.
I could even imagine them getting a law passed, a license to ignore copywrite law. Of course Billy don't qualify. It'll only be for the billionaires and maybe a handful of millionaires.
Oh no, its just legal for the big companies. The laws are different for everybody and that's what activists are worried about :)
Few tens of thousands of dollars is a rounding error in Meta's bottom line but if this case goes anything like the Anthropic one, I would see it likely.
Of course it wouldn't prevent authors from asking LLM's for content from their books and suing Meta again but I imagine authors would be less likely to with less evidence.
The way Disney &co coopted law to pack their coffers is a travesty: https://en.wikipedia.org/wiki/Copyright_Term_Extension_Act
human nature will not change. the best change folks here could make is accepting that.
My best idea for a solution is better education, so people don’t make bad laws then badly enforce them.