I think "home labbing" fulfils much the same urge / need as the old guys (I hate to say it but very much mostly guys) met by creating hugely detailed scale model railways in their basement. I don't mean that in a particularly derogatory way, I just think some people have a deep need for pocket worlds they can control absolutely.
While I haven't given all of my keys to my family, there's a clear route for them to get them, and written instructions how to do so. Along with an overview of the setup and a list of friends and colleagues they can turn to, this is enough for them to get access to everything and then decide if they want to carry on using it, or migrate the data somewhere else.
Any truth to that?
Bear in mind that I wasn't directly involved, and this my impression picked up from conversations during my time in fusion research, which was about 10 years ago.
It's still great that Cornell Lab provide resources like this. Another project of theirs, BirdNET [0], is fantastic for identifying bird song.
A "full range" speaker will send the lows in all directions but the highs mainly in the direction of its axis. A listener caught in the beam will hear a shrill sound, whereas someone off axis hears it muffled. Guitar speakers are like this; particularly the 12" ones and particularly in the 4x12 cabinet arrangement. Sometimes musicians use dispersing devices mounted on the speakers, like "beam blockers". Or the speaker is picked up by a microphone close to it, so that the audience hears it fro the PA system (which solves the sound dispersion problems in its own way).
There are situations in which it is desirable for a speaker box to "beam", like when it is mounted far away or high above a target listening area that is relatively small, calling for the speaker to be a kind of spotlight.
But you also don't want the neighbours to complain about the thumping bass. A number of subwoofers pointing backwards, with the right phase delay, destructively interferes with the most offensive frequencies and reduces the sound intensity behind the stage. It's called a 'cardiod' arrangement, because of the shape of the resulting sound intensity distribution.
IMO it’s because php and js are so easy to pick up for new programmers.
They are very forgiving, and that leads to… well… the way that php and js is…