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alisonatwork commented on The Rise of Computer Games, Part I: Adventure   technicshistory.com/2025/... · Posted by u/cfmcdonald
glimshe · 4 hours ago
One of my dream games is a truly open world text adventure. I got a glimpse of it by having ChatGPT run this game, but it started hallucinating and misremembering after a few rounds. It has to be perfect to avoid breaking the immersion, but I'd pay $100 for such a game even without graphics.
alisonatwork · 2 hours ago
Isn't this what MUDs are? I tried a few in the early days of the internet and even back then they were like much bigger and more dynamic versions of text adventures of the 80s. For me I bounced off the idea that I had to role-play with other humans - I thought it was far more interesting to chat with other humans about real-world topics - but if you are looking for a large, text-based role-play experience then it's probably worth trying out a few. There might even be some that can be soloed these days, there are so many.

I think the challenge of trying to make an "endless" game using an LLM is the same challenge that all procgen games face - they are boring for people who are seeking a well-paced narrative. There are players who enjoy the mechanics of looting/crafting/trading/etc who will gladly play games where the story is incidental or emergent, but if you're specifically looking for something with a bit more narrative depth, I'm not sure procgen will ever work. Even if there is a system that tries to project coherent storylines onto the generated world, you still need the player to do things that fit into a storyline (and not break the world in such a way that it undermines the storyline!), otherwise the pacing will be off. But if the system forces the player into a storyline, then it breaks the illusion that the world was ever truly open. So you can't have it both ways - either there is a narrative arc that the player submits to, or the player is building their own narrative inside a sandbox.

AAA games try to have it both ways, of course, but it's always pretty clear when you are walking through procgen locations and leafing through stacks of irrelevant lore vs when you are playing a bespoke storyline mission that meaningfully progresses the state of the world.

alisonatwork commented on PeerTube is recognized as a digital public good by Digital Public Goods Alliance   digitalpublicgoods.net/r/... · Posted by u/fsflover
llbbdd · 4 days ago
On what setup? All YouTube videos load and start playing instantly for me. Every time I've experienced otherwise in the last couple years, it's been my first indication that e.g. AWS is exploding that day
alisonatwork · 4 days ago
I wonder if it depends what country you are in. I only notice it occasionally when the video won't play in FreeTube or PipePipe (which always has the pause at the start since the last few months) and I'm forced to open an incognito browser tab to watch, and then I realize just how many ads other people are being subjected to before they can even watch the video.
alisonatwork commented on PeerTube is recognized as a digital public good by Digital Public Goods Alliance   digitalpublicgoods.net/r/... · Posted by u/fsflover
roughly · 4 days ago
I've been working to get more involved with, eg, mutual aid groups and other forms of local capacity and resiliency building over the last year - one thing that's stuck out to me is how many of these groups' public face is an Instagram site. That might not have been existential a couple years ago, but given what we're seeing now with, for instance, Paramount making a rival bid for Warner based solely on their coziness with the current administration, it doesn't feel like the corporate media ecosystem is going to be an even "squint and you can kind of pretend" neutral territory for organizing and information dissemination going forward.

For all that tools like PeerTube, Mastodon, etc are clunkier and more limited than things like YouTube, Bluesky, etc, I think that argument is increasingly going to be irrelevant to their value - we need to start ensuring our capacity to go from 0-1 on media distribution, not from 10-100 or 100+.

alisonatwork · 4 days ago
This situation is so frustrating to me, and despite my attempts, nobody seems to get why it's problematic. I still have a Facebook account from over a decade ago that I use occasionally to access stuff that is only visible on Facebook, but by the time Insta kicked off I had already decided social media was bad, so I never got one, and it didn't seem like a great loss because I wasn't that interested in looking at other people's photos anyway.

Except now, apparently - and I'm still not exactly sure how - business owners and activist groups and event promoters communicate everything about what is going on via... photos?! I suppose it's the digital version of flyers, except you could see flyers posted up all over town, in all the record stores or cafes you already frequented, friends could hand you them when they saw you out and about, you'd get bombarded with them when you left related events... And none of those situations forced you to enter a heavily-surveilled gated community owned by a spectacularly wealthy foreign company notorious for enabling genocide, live streaming murder etc.

I was at some event a couple weekends ago and an organizer came up to me saying that there was going to be an after and just check the Insta for the address, and I'm like... But I don't have that? Can't you tell me now? And because the site is login-walled even when at some point later in the day the thumbnail did appear, trying to click on it to see the details resulted in the login block and so I missed out.

But I am well aware that I am a teeny tiny minority of people involved in this boycot and so I'm only really hurting myself. The way I've heard it described by activists is that using Insta (or X or YouTube) is like tacitly accepting that we already live in a panopticon and thus all resistance has to take place within full view of the authorities, it just needs to be smart and present itself as something that isn't actually resistance, or that works around censorship using codewords, or this, or that, "just like how it's done in China". And it's like, great, the new generation of western activists who actually still live in a society which grants them some civil liberties have decided they're all doomed to exist under the totalitarian jackboot and practice their resistance accordingly. After all, you can't build a movement out there on the actually free fediverse or the small web where there's only a smattering of nerds.

I don't know if I should be depressed or just suck it up and get that stupid Insta account.

alisonatwork commented on PeerTube is recognized as a digital public good by Digital Public Goods Alliance   digitalpublicgoods.net/r/... · Posted by u/fsflover
corndoge · 4 days ago
From hosting a peertube instance solely for my own stuff for several years, I've come to appreciate just how difficult self hosting a streaming video platform is. As you say, bandwidth and storage requirements are significant; another less obvious one is transcoding. When a user uploads an HD video file, it needs to be transcoded into lower resolutions if you want there to be a hope of people streaming it. While Peertube itself is perfectly happy running on 2-4 vcpu cores on a cheap cloud vm, if you use those cores to handle transcode jobs it can take huge amounts of time (like 20+ hours) to transcode even medium length 1080p videos. So you really need either a lot of CPU that sits mostly idle, or hardware acceleration, both of which are expensive when purchased from cloud providers. Or you can use remote transcoding to offload transcode jobs onto your home gaming pc or whatever, which works well, but can be complicated and a bit touchy to set up properly, and now you have a point of failure dependent on your home network...

And then, people watching videos are used to the YouTube experience with its world class CDN infra enabling subsecond first frame latencies even for 4k videos. They go on Peertube and first frame takes like 5 seconds for a 1080p video...realistically, with today's attention spans most of them are going to bounce before it ever plays.

alisonatwork · 4 days ago
The funny thing is that YouTube has now enshittified to the point where people routinely DO wait well over 5 seconds to watch the video they actually wanted to watch while interstitials and other commercials are jammed in. Even with adblock enabled, the latest YouTube code won't unlock the first frame of the actual video till some period of ad time has passed so you just sit there looking at a black screen. This on its own definitely isn't enough to get people to leave the platform, but it's still notable how much worse the experience has gotten compared to a few years ago.
alisonatwork commented on How to Synthesize a House Loop   loopmaster.xyz/tutorials/... · Posted by u/stagas
Slow_Hand · 10 days ago
I've watched a lot of live coding tools out of interest for the last few years, and as much as I'd like to adopt them in my music making it's not clear to me what they can add to my production repertoire compared to the existing tools (DAWs, hardware instruments, playing by hand, etc).

The coding aspect is novel I'll admit, and something an audience may find interesting, but I've yet to hear any examples of live coded music (or even coded music) that I'd actually want to listen to. They almost always take the form of some bog-standard house music or techno, which I don't find that enjoyable.

Additionally, the technique is fun for demonstrating how sound synthesis works (like in the OP article), but anything more complex or nuanced is never explored or attempted. Sequencing a nuanced instrumental part (or multiple) requires a lot of moment-to-moment detail, dynamics, and variation. Something that is tedious to sequence and simply doesn't play to this formats' strengths.

So again, I want to integrate this skill into my music production tool set, but aside from the novelty of coding live, it doesn't appear well-suited to making interesting music in real time. And for offline sequencing there are better, more sophisticated tools, like DAWs or trackers.

alisonatwork · 10 days ago
I see it as a neat way for nerds to nerd out about nerd stuff in an experiential way. Like, this is not going to headline a big time rave or festival or anything, but in a community of people who like math or programming or science, sure, why not introduce this kind of performance as another little celebration of their hobby?

Years ago I went to a sci-fi convention for the first time, because I had moved to a new town and didn't know anyone, and I like sci-fi. I realized when I was there that despite me growing up reading Hugo and Nebula award winners, despite watching pretty much every sci-fi show on TV, despite being a full-time computer nerd, the folks who go to sci-fi conventions are a whole nother subculture again. They have their own heroes, their own in-jokes, their own jargon... and even their own form of music! It's made by people in the community for the community and it misses the point to judge it by "objective" standards from the outside, because it's not about trying to make "interesting music" or write the best song of all time. The music made in that context is not being made as an end in itself, or even as the focus of the event, it's just a mechanism to enable a quirky subculture to hang out and bond in a way that's fun for them. I see this kind of live coded music as fulfilling a similar role in a different subculture. Maybe it's not for you, but that's fine.

alisonatwork commented on Be Like Clippy   be-clippy.com/... · Posted by u/Aloha
pmdr · 14 days ago
I liked Clippit and all the other assistants. I found them really useful when I was 11-12 years old and learning Office 97.
alisonatwork · 14 days ago
Basically, this. My first tech job was IT support at the time and ordinary people using their computers for actual work liked them too. I remember the dog/puppy being particular popular. At worst the assistants were seen as charmingly naff, not actively hostile. They were simple for power users to disable and this weird retroactive hatred for them feels more like some kind of nerd bitterness over the fact that normies ever started using computers in the first place. There was plenty of reason to be critical of Microsoft in those days that wasn't their office assistant.
alisonatwork commented on Japan's gamble to turn island of Hokkaido into global chip hub   bbc.com/news/articles/c86... · Posted by u/1659447091
mytailorisrich · 20 days ago
> the people of Taiwan are actually just engaged in some kind of internal dispute with the CCP, which is entirely a CCP framing of the issue.

This is broadly true, not just "CCP framing". Obviously because of history and external influence there is also an "independentist" faction.

I don't see why this should be hard to accept unless the aim is indeed a "reframing" to push the independentist narrative, which does not really need it as the status quo mean de facto independence. So perhaps the aim is actually more along the lines of an anti-China narrative.

alisonatwork · 19 days ago
This comment is so divorced from reality on the ground in Taiwan that it's hard to respond to. Certainly, someone can look at cherry-picked pieces of legislature or historical documents and imagine that they represent some kind of intrinsic truth, but in reality it is simply not the case that Taiwanese people understand themselves as locked in some kind of ongoing civil war with the CCP. The culture has long since moved on from 1940s era politics that even at the time were imported by a minority group from the mainland.
alisonatwork commented on Japan's gamble to turn island of Hokkaido into global chip hub   bbc.com/news/articles/c86... · Posted by u/1659447091
mytailorisrich · 20 days ago
That's a little misrepresenting history... Taiwan was part of the Qing Empire and Japan took it in 1895 following China's defeat in the first Sino-Japanese War. China got it back after WWII.
alisonatwork · 20 days ago
Sure, and before the Qing armies invaded it was declared an independent kingdom by a Ming loyalist who was born in Japan to a Japanese mother, and before that there were a couple of European outposts and scattered settlers from Fujian, and before that there were indigenous peoples who themselves are part of an ethnic group that can now be found everywhere from Madagascar to New Zealand.

The point I was responding to was the misleading comment that the people of Taiwan are actually just engaged in some kind of internal dispute with the CCP, which is entirely a CCP framing of the issue. Few if any people in modern-day Taiwan believe that they are the true inheritors of the Chinese mainland. The pretense has to be upheld in order to preserve the status quo, but in practice there is no serious movement staking a claim to any part of China.

alisonatwork commented on Japan's gamble to turn island of Hokkaido into global chip hub   bbc.com/news/articles/c86... · Posted by u/1659447091
curseofcasandra · 20 days ago
For those unfamiliar with the history, Taiwan’s (ROC) own constitution says it is part of China. Its dispute is with the CCP, not China itself.

Conflating the PRC vs ROC conflict with a China vs Japan conflict is just ignorant.

alisonatwork · 20 days ago
That is, the constitution written by the KMT dictatorship that was awarded the island as spoils of war after the Japanese surrendered to the Allies in WW2.

In the present day, neither the Taiwanese government nor Taiwanese people are in some kind of dispute with the CCP over who owns Gansu province or whatever, they just would like recognition of their already-existing sovereignty.

alisonatwork commented on Beets: The music geek’s media organizer   beets.io/... · Posted by u/hyperific
hmstx · a month ago
Pioneer DJ, I mean AlphaTheta, probably don't even know MusicBrainz exists. They're too busy selling subscriptions for RekordBox. And they do nothing to help you with the metadata on your files, besides filtering in browser mode.

I can relate to the problem of revising genre or energy ratings over time. I've gone with custom genre tags for ages, ie "dub/house/techno" or "funk/disco/edits" with a sprinkling of extra qualifiers in the comment field and do bulk updates from MP3Tag/Foobar2k. The extras only really help when preparing "crates" for export to USB for outside use, or when just playing off the entire collection at home. I'm fast, but still not much time to read the comment fields when browsing on the players, much less input any words with the scroll wheel.

I keep every purchase around in FLAC, and the part I might realistically play out stays in AIFF, for minimum fiddling of tags (ie stars map a bit differently between Traktor and Rekordbox) - because of course Rekordbox will warn you you're exporting files you can't play anywhere, but won't do anything to transcode them.

Lossless whenever possible because I just want to give the sound quality as much of a chance as I can when recording sets, especially if they might get posted online and getting lossy-transcoded multiple times. I've tried the mp3 of mp3 thing, and you do hear it at home (out at a gig, most of the time, probably not).

I don't suffer from track bulimia, so the numbers work out - and disk space has gotten a lot cheaper in the last 20 years.

alisonatwork · a month ago
I let this thread go for a while, but just saw your reply and wanted to say thanks for your insight! I am a hobbyist DJ for whom "playing out" just means "on a friend's equipment from time to time" so I probably don't need to fuss as much as I do, but your experience has kinda reaffirmed for me that keeping stuff MP3 is going to be the least hassle.

It really used to annoy me that bringing along just a USB left me with a useless "filenames only" view on old CDJs, and then even when they did read the file they only cached the metadata of a fraction of the tags, which is how I ended up same as you - custom genres with modifiers in the comment. It's not the ideal data structure for organizing your collection at home, but it seems to work the best for bringing music to go.

u/alisonatwork

KarmaCake day3357April 10, 2019View Original