At his current net worth, Musk will be able to underwrite Twitter for the next 3 centuries before he starts running out of money.
If that's the art form as it was experienced, do archivists need to make a "better" version?
Hip-Hop probably has a higher percentage of this material than almost any other genre, especially once you get to the mixtape/blog era. Unfortunately, most of this material was only released in unofficial forms, often on low-quality MP3s and often with some random dude shouting over the intro. A lot of these tracks were also recorded over unlicensed beats/samples, so even if clean recordings were available official release would be impossible.
I recall an urban legend about an audio engineer who added a "richness" control to a piece of studio equipment that did absolutely nothing but allowed some rich person to feel like they engineered an album.
Over a long enough distance (~30 m), it's better to use ADC <-HDMI-> DAC usually than send line-level signals due to losses involved unless one wishes to spend zillions on the most perfectly engineered and widely-incompatible shielded coaxial cable imaginable.
Another is denial of Nyquist–Shannon. If you can't hear over 8 kHz, then you don't need 256-bit @ 96 kHz sampling. It's more likely a badly-chosen lossy compression codec (or it's parameters), a nonuniform DAC, or some other source of analog signal loss is causing loss of fidelity by the time it reaches ears.
Further is the belief that lossless codecs cannot be replaced compressed lossless or sufficient parameters of some lossy formats.
Obsession with vacuum tubes and/or vinyl. I get the ceremony of vinyl, but it's not going to improve over perfect digital reproduction.
As a millennial, I'm always slightly amused (and maybe a little horrified) to see my peers spend endless time and more than a little money hunting down vinyl releases of the music of our generation. I also listen to a lot of music from earlier generations and have noted that older collectors were and are thrilled to see that music get well-transferred and mastered releases on a digitally perfect and durable medium and generally consider those to be the definitive release.
I think this persists well into the 2000s.