Readit NewsThat's true in principle, but IMHO a little too evasive. In point of fact Apple 100% won this round. Their wider architecture is actually faster than the competition in an absolute sense even at the deployed clock rates. There's really no significant market where you'd want to use anything different for CPU compute anywhere. Datacenters would absolutely buy M5 racks if they were offered. M5 efficiency cores are better than Intel's or Zen 5c every time they're measured too.
Just about the only spaces where Apple is behind[1] are die size and packaging: their cores take a little more area per benchmark point, and they're still shipping big single dies. And they finance both of those shortcomings with much higher per-part margins.
Intel and AMD have moved hard into tiled architectures and it seems to be working out for them. I'd expect Apple to do the same soon.
[1] Well, except the big elephant in the room that "CPU Performance Doesn't Matter Much Anymore". Consumer CPUs are fast enough and have been for years now, and the stuff that feels slow is on the GPU or the cloud these days. Apple's in critical danger of being commoditized out of its market space, but then that's true of every premium vendor throughout history.
Happiness #1
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I let go of fanboying on what Hollywood "did to" the story and instead just decided to be thankful something I love was given a new medium / audience / interpretation... and voila! now I have two things to love.
It's still fun to point out where things could've been done differently, but instead of actually disliking the film(s) because of those things, it's just another mechanism that lets me talk to my friends about something. Much more fun than riding home in silence in any case. ;)
For me there are 2 issues
(1) I read the book. it was awesome. If the movie fails to deliver that awesomeness then it's really upsetting as it's ruining something great for everyone that didn't read the book / see the original. They're unlikely to go check the original. They're more likely to just think "That was dumb".
(2) When they change things so much that they arguably should not have used the name.
Why choose some existing fictional world/characters just to shit on them and make it something else? If you wanted to make something else, then pick a new name, make your own IP.
Not because the information is false, but because the act of choosing which facts to publish is itself an opinion. Once you accept that, you’re no longer talking about neutral data; you’re talking about the official position of the United States government, whether that was the intent or not. pro tip: I'm sure it was, esp during the Cold War(tm)
That creates problems, especially in diplomacy. Negotiation depends on what you don’t say as much as what you do. Publicly cataloging a country’s political structure, demographics, or internal conditions may feel benign, but it can complicate discussions that are already delicate, and sometimes existential.
It also gives away more than anyone would like to admit. It signals what we know, what we think we know, and what we’re willing to put our name behind. Even basic statistics like population or religious composition can become leverage or liabilities in the wrong context, and you can’t realistically scrub or redact them every time you enter into a diplomatic negotiation or whatever.
The core issue is simple: this isn’t a private research group or a tech company publishing an open dataset; it’s literally the largest intelligence agency (if you exclude NSA I think) of the United States government publicly describing other nations. That isn’t neutral.
Also, once an agency like the CIA is ideologically skewed, even subconsciously, objective facts become directional. Not by falsifying GDP or population, but by emphasizing governance scores, freedom indices, demographic categories, or economic structures in ways that subtly reinforce a worldview. That kind of torque is harder to detect and harder to challenge than obvious propaganda.
During the Cold War, that might have made sense. Actually, it probably makes sense all the time, but my guess is that the current administration thought (rightly or wrongly) that the editorial team was no longer objective, or they decided there were better avenues to get their message out there.
However, the fact that it no longer even maintained archives since the Biden administration (2020), though, says something else, at least to me: it says that the current admin was in agreement with the previous administration, which means it might have been a bi-partisan view that either it was no longer needed or (really, it seems) no longer wanted or at least valued by either administration.
1. It listed Taiwan under countries
2. It listed Burma even though it's called Myannma (as all my friends from Myannma introduce themselves)
No, the primary "cost" was artists having to fill a world with unlimited textures instead of just filling memory and then having to make due.
The constraint of "limited texture memory budget" also puts a constraint on how much work the artists can do. Remove that constraint lets artists do unlimited work. It might sound like a plus because "freedom!" but it turns into a minus trying to actually ship on time and at budget.
I get that wasn't the point of the article's "cost", but thought it was worth mentioning.
On the other hand, I'm afraid that if this did happen that FFMPEG frontend would look like a GNOME app and I would hate using it.
Want to generate a video, it's just a few lines of code. Want to connect the user's camera (with permission), it's just a few lines of code. Websockets? About 4 lines of code.
There could be 1000s of options for each of those but they mostly distilled it down to what most people need, and they're cross platform.
Kore-eda Hirokazu: Still Walking (2008), Monster (2023), Shoplifters (2018)
Hamaguchi Ryusuke: Drive My Car (2021), Evil Does Not Exist (2023)
A Story of Yonosuke (2013) from Okita Shuichi
Memories of Matsuko (2006) from Nakashima Tetsuya
Departures (2008) from Takita Yojiro
Perfect Days (2023) from Wim Wenders. Even though he is not japanese it's a very japanese film
but there are lot more
There's also just personal takes. I had to shut off Memories of Matsuko. Maybe the end saves it but it was way too over the top and not in a good way.
Some good older Japanese though
Kurasawa: Ikiru (1955)
Teshigahara: Woman in the Dunes (1964)
These are 2 movies you won't forget.
Conversely, even though I enjoyed Shoplifters I remember nothing about it except the guy celebrating he had sex and the girl burping. Similarly with After Life. I just watched it 2 months ago and had to go look it up to remember what it was about. It was interesting because of the premise but not because of the movie itself.