https://jackw01.github.io/scanlight/
(NB: Most film I shoot is slide film, which I’ve been told doesn’t benefit from RGB light sources because it’s intended viewing was projected with a broad-spectrum white light [likely a warmer than daylight (but color temperature isn’t much of a concern for digitizing slides)] so I haven’t dug into this much.)
I’ll also note that negative lab pro hates negatives that are scanned with it. They don’t turn out at all. If you’re using it, you should expect to be inverting them manually, which is kind of a pain. I was quietly hoping (but not expecting) to still see some of the benefits of it when passing them through NLP.
However, a Bayer-filtered sensor has lower color resolution, since each pixel only sees one color. So the pixel shift really helps quite a bit here since the sensor (and Bayer array) are shifting relative to the film multiple times per exposure.
High-quality film scanners maintain color resolution by using linear sensors without Bayer filtering. But they’re slow and expensive.
Then it’ll do a 16 or 32 shot stack in order to do the same thing but with more resolution.
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To me Kit is the antithesis of what made Svelte so attractive to me originally. Svelte was dead simple and intuitive to use, Kit is anything but.