A good idea now would be to send money to the family of the driver who died. That would be helpful.
Even if he did, he didn't interfere or impede rescue efforts and gave them a tool they could possible use in the future. It's cool and a nice thing to do, and doesn't really seem like a big deal.
Where do authors like OP get the idea that I want to go to the movies to have politics shoved down my throat? And that there is some kind of obligation for those in charge to forgo their primary motivations of artistic expression and/or profit in the interest of some totally arbitrary target of "representation" of every combination of color, gender, and socioeconomic status?
Not to mention, this kind of thinly veiled political grandstanding in the context of film review is almost always cherry picking. There have been plenty of films examining poverty from numerous perspectives. The fact that they are not en vogue now does not speak of some kind of crisis-just like people clamoured over Black Panther as the first positive representation of blacks on screen, while conveniently ignoring decades of black cinema.
Outrage is the kind of thing, in my opinion, that is trivial to find, if you look hard enough.
A lot of people seem to want this, given the fact that dozens of political movies are released every year