answer> Temporal.Instant.fromEpochSeconds(timestamp).toPlainDate()
Trust but verify?
Or have I missed your point?
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°Missing a TZ assertion, but I don't remember what happens by default. Zulu time? I'd hope so, but that reinforces my point.
answer> Temporal.Instant.fromEpochSeconds(timestamp).toPlainDate()
Trust but verify?
Or have I missed your point?
---
°Missing a TZ assertion, but I don't remember what happens by default. Zulu time? I'd hope so, but that reinforces my point.
It is actually called an "addition to tax", not a penalty, and in fact it is merely an interest charge, just like if you don't pay the full balance on your credit card each billing period (for tax, the "billing periods" are the (roughly) quarterly dates when estimated payments are due). If you can make more money elsewhere than the interest charge by the IRS (currently 7%) you are better off not making the payments during the year.
>Health Savings Accounts are the rare unicorn of triple tax advantage: money isn’t taxed (1) going in, (2) while it’s growing in the account, or (3) when it’s taken out.
I see this a lot and it is completely ridiculous. (1) and (3) are the same thing when it comes to your contributions-- there is no scenario where you would ever pay tax on money when you contribute it and also when you take it out. It is only a double tax advantage, not triple. (And the money only comes out tax free if you use it for a limited set of expenses namely health care).
[Edit] Ha! Didn't see you were the GGP. I got your point, even if I am an unobservant idiot.
https://www.youtube.com/watch?v=saRir95iIWk (Speedy Cutover Service, SXS switching cutover to ESS filmed live at Glendale CA central office, 1984)
I would imagine that the paraphrasing wouldn't be necessary in this case because it isn't quite as useful to compare two encrypted versions of the text versus an encrypted version and an unencrypted version (also I feel like there is some risk of a game of 'telephone' in that the meaning would change bit by bit to the point of having a different meaning over time, even if not intentionally)
I've literally walked out of shows (as an audience member) where it's been clear that the actors are doing unsafe things, because I didn't want to see happen what you showed up to. Thanks for being there, and I hope that woman was OK.
Do you mean you sold out in the arts or in the sense that you changed careers? If the former, I’d be curious to hear (well, read) the story since that’s not an admission one typically encounters.
https://news.ycombinator.com/item?id=44699388
I never met a professional with a conceptual category of "selling out" within the industry. Scraping together any kind of living in the arts is a massive struggle, so everyone takes "money jobs" when they can get them. During my 10 or 12 years as a working actor I had two consecutive years during which my sole income was from performing, and maybe a couple of other other five or six month periods where I was able to drop restaurant (or whatever other) gigs for a tour. This was in the early-'oughts, and I'd have to look at my social security records to be sure, but my income during those years was somewhere around $30k. I was single, and really, really good at being poor.
By the way, that's like a 98th percentile result for an actor. Most people never come close to making a living, however meagre.
There's an old, old interview (maybe Michael Parkinson? Don't remember) with Joss Ackland - a wonderful mid-twentieth century British character actor, on stage and screen - where the interviewer asks him why the hell he did some crappy science fiction film, and Ackland says something like "that was 1962? Oh, yes. Well, my mother needed a new kitchen." No actor will ever fault him for that!
What does disappoint me is seeing actors with tremendous talent who take nothing but money jobs. I get why they do it - especially for the ones at the top of the commercial heap it'd be awfully hard to say 'no' to an easy gig that comes with a boatload of cash - but I can't help but feel sad that I'll never get to see them working at their best.
Even so, my response when I see a truly bad film is generally a shrug: "a lot of actors [and associated professionals / craft services] got paid." The artists among them will learn from even that experience, and many (many many) among them will invest that income back into doing work that they believe in.
But the idea of standing on a stage pretending to be someone else fills me with sheer terror. Even worse would be trying out for that job 100 times and getting rejected every time.
I don't know how actors do it. My hat's off to you.
You're right about training and experience, though. I screwed up on stage (in loads of tiny ways, not usually perceptible to anyone but me) every time I ever stepped onto one, and in big ways lots and lots of times as well. But, you know, I always knew that I (with my castmates' help) would get out of it. Failure is inevitable, and it doesn't matter. In fact, if you haven't failed somehow, in at least some small way, then you either don't know what you're doing, or you aren't trying hard enough to succeed.
Also, when I was training young actors I always told them that they will never experience such unconditional love as when they first step in front of an audience. Those people have given at least their time and maybe their money to see you - don't you think they want you to succeed? They're rooting for you, none more so.
To bring this back to the larger subject of the thread, I think all of that's also true of every job interview any of us will ever attend, or conference paper we'll ever deliver. It'll never be perfect, and that's just fine.
You never screened candidates who couldn’t act their way out of a wet paper bag?
I'm glad you brought that up, because it might be the exception that proves the rule. Those auditions did feel more personal, but it was entirely benign: I was rooting for them to succeed, and really felt for them when it became obvious (especially to them) that they had not.
Maybe it's not like that with other fields, or other companies, or other people - but if not, then that's not somewhere anyone should have to work. There's no incompatibility between high standards and human decency.
The way I've always described this to people is that before, in order to get started on anything I first had to bang my way head first through a solid brick wall. It was painful and unpleasant and an absolutely absurd amount of effort. It didn't matter if the thing I was trying to do was "a load of laundry" or "build a shed"... same brick wall. That's pretty crippling in day-to-day life.
And then once I get through it I wasn't in the clear. The first interruption, the first unexpected thing that came up... was another brick wall I had to bash my head through.
The medication doesn't take away the walls, but what it has done is turn them all into drywall. I still have to bang my head through a lot of walls, but after decades of going head first through brick walls everything just seems _comically easy_.
I really wish someone had identified this sooner so I could have gotten treatment earlier. I'm grateful my life has gone as well as it has. I don't have nearly as many things to look back on with regret as other people that were diagnosed late in life. It does suck to realize that everything really didn't need to be so difficult. And some habits and coping mechanisms that allowed me to function aren't exactly healthy for me or those around me, and those are hard to unlearn.