It's going to make them use less aircon, which seems like a good start
I've heard drinking juiced fruits is worse for you than eating the equivalent fruits, as the sugars in the fruit are wrapped in fiber that make the sugars "slow release" into your body, and those are broken down when juiced so the sugars hit you at once. I suspect processed foods "mainline" nutrients in ways that unprocessed foods don't.
Secondly, I think a lot micro-nutrition is ignored when comparing processed food, like the fat, carb, salt, etc is equivalent between potato chips and, say, a baked potato with butter, but there are a lot of small things that our body needs that are not part of that equivalence. At least for me, when I eat potato chips I eat more because they never quite satisfy me. I suspect this is because the micro nutrition is cooked or processed away, so I end up eating more carbs because it's not quite giving me all what I need, just the big macro needs.
I disagree. It's largely age based. Especially for filmmakers as novelty is part of the appeal of movies. As the artist ages, I think Yeats said it best: "What can I but enumerate old themes".
Coppola is 85. How many octogenarians are still creatively significant? Yes, they can still put out an album or a film or a book, but their best days are behind them.
Coppola paid for "Megalopolis" out of his own pocket. He wrote and directed the story and cast the actors that he wanted. What is art in its purist form but the self-expression on an individual?
Previously, Coppola mortgaged his home and went legendarily overtime and overbudget for "Apocalypse Now". That's regarded as a classic and was lauded in its time. "Megalopolis", not so much, though time could add a new perspective, as sometimes art becomes more favorably viewed upon reflection.
The books do have a strength, which is the completeness of their picture of the world. The concept of the Culture is interesting. I think it has less to do with the third dimension of space, and more to do with the 1990s. The Culture looks a lot like confident liberal democracy, pitting its advanced tech and cultural openness against its various (doomed) rivals. That's why a lot of the books seem a bit colonial: travel to a small annoying planet, knock some sense into the primitive authorities holding sway. And it also has that 1990s vibe that one side is in the right, and that side is always going to win.
For a contrast, think of The Three Body Problem. It's set on an equally epic scale - but so much more happens!
I use Step Functions over Lambda for one big reason: no dependencies or runtimes to update. Secondary reasons include the lack of “cold start” and the unique capabilities. However, they have huge downsides and one of them is the complexity of building anything that isn’t choreographing calls to AWS services. It can get crazy ugly, and would quickly if it was the only tool I had.
Used in combination with imperative code, declarative workflow is a gift. On its own, a nightmare.
I forget the name, but there was a free to play Starcraft clone/homage I got hooked on. After a while, entire scenes would play out in my vision when I wasn't focusing on anything. Doesn't seem to happen as much these days, but I also have a healthier relationship with my hobbies.
This also happens with (fiction) books to some extent.
Not being able to visualize stuff hasn't been an impediment to visual art. On the flip side, being able to compose entire songs in my head hasn't been a benefit to making music: it collapses on contact with reality.
While the premise is odd, Simmons succeeded in creating a work where it is easy to forget that he is not (by far) a contemporary of Dickens and Collins; his style and narrative in Drood are eerily close to how Collins (and his contemporaries) wrote.
Most readers will know Simmons from his lauded Hyperion Cantos. Drood though, is something else entirely, but impressive nonetheless.