There's lots of interesting discussions to be had around what makes a great icon (but social media platforms aren't the places to have those deep conversations). For example the original Mac HIG says that an app icon should:
- clearly represent the document the application creates
- use graphics that convey meaning about what your application does
(https://www.threads.com/@heliographe.studio/post/DTehlciE3wY)
The first point might be a little outdated, as we tend to live in a "post-document" world, especially on mobile. The second is broad enough that it holds up, and under that lens it doesn't seem that an image of a pen/stylus is most appropriate for a word processor app.
By that metric, the Mavericks/Catalina (5th and 6th on the linked image) seem like the strongest icons. The Big Sur (4th) one isn't too bad given the "must fit in a squircle constraints" that came with it, but it starts to feel less like a word processor app icon - it could as easily be an icon for TextEdit/Notes.
The most recent 3 are very hard to defend - the main thing they have going for them is that because they are simpler and monochromatic, they fit more easily within a broader design system/icon family. Even then, the simpler shape doesn't make them more legible - a number of people have told me they thought it was a bandaid at first, or maybe something terminal-related for the orange on black one. The "line" under the pencil (or is it a shadow?) on the most recent one is almost as thick as the pencil itself, and blends with it because gestalt theory.
I agree that the 7th one (original ink bottle) has a few issues that don't necessarily make it the best choice for an icon - but dang, the level of craft that goes into it makes it an instant classic for me. And it does retain a fairly distinct, legible shape that still makes it a solid icon even if the detail gets lost at smaller sizes.
Icons need to be quickly recognizable, but at the same time an icon is not a glyph - and illustrational approach do have their place. Especially on devices with larger screens where they are going to appear quite large in most contexts.
The big elephant in the room with all this is that icons 5/6/7 clearly take more craft skill to execute than icons 1/2/3, and Apple used to be the absolute reference - no debate possible - when it came to these matters. As a long time software designer (and former Apple designer myself through the 2010s, although I was on the hardware interaction design side, and not making icons), it is sad that this is no longer true.
Why are all of your icons terrible?
If only they would stop there. These design terrorists won't even let us have that much; Google's Android apps all use the same 4-color-rainbow scheme. Not only did they get rid of the ability to visually identify the icons by color, but you can't even really identify them by shape because applying four highly constrasting colors to a simple shape breaks up its silhouette into something that is not quickly recognisable at a glance. It's as though they're intentionally trying to make the icons have as little functional utility as they possibly can.
While I agree that Google's is not a good approach, that is not what has gone on here.
However there are 3 things I notice about this discussion:
1. Gorgeous detailed renderings aren't symbols, nor are they necessarily good icons. Symbols are mentally quicker to understand, and that makes them ideal as the foundation of an icon, where their purpose is to communicate, not just be pretty. The new icons do this better than the older icons. Secondly the detailed illustrations aren't effective at small sizes, to use the ink pot example: the pen is lost in the detail of the ink pot, at typical viewing size it's a visually noisy design. I recall a criticism at the time being that people didn't know what they were looking at.
2. People such as John Gruber who referenced this post don't have the self-awareness to recognise that they are neither an expert on the topic nor the target demographic. Watching Gruber riot about unimportant minutae over the last few months has been an interesting case study. At no point does he show a modicum of charity whereby he tries to understand why the changes were made, instead his response can be summarised as a whiney/bratty version of "it's the children who are wrong".
3. There is an amusing and unpredictable cross over between people who think the ink pot is peak icon design, but have argued in the past that the much more recent floppy disk is too old to be used as a save icon.
So report the facts but sentences like "What Wei probably didn’t tell Cook is that Apple may no longer be his largest client" make it personal, they make you take sides, feel sorry for somebody, feel schadenfreude... (as you can observe in the comments)
However this post and the comments really debunk that - here we have a clear example of the author turning these people into characters, archetypes of reality tv, and inviting the reader to have an emotional response to what is potentially interesting, but actually just the mundane business matter of dealing with demand spikes.
A normal conversation might take a step back, above the emotional baiting, and instead lament on how TSMC weren't able to develop sufficient supply capacity in time to maximise yield across not just these clients, but many others whom are looking to get involved in the AI hype train. Instead we're seeing something quite different, and quite uninformed. It's reading like a gossip post from an instagram thread.
I notice that HN is actually more vulnerable to these types of conversations. Maybe it's because HN likely weights towards an ASD audience, which has less experience in handling socially driven narratives. I do definitely see here more of the "one-sided" conversation that is typical of ASD.
Neither American nor from the UK, but I knew what this was about because it's possible to go online and seek out information. Neat.
What I didn't do was become some entitled see you next tuesday and complain that a .com should be reserved for the american audience and the site should use a .co.uk – As if american businesses don't utilise foreign TLDs to create cutesy URLs. Maybe now is a good time to note that the fashionable .AI TLD belongs to Anguilla, a British territory.
https://www.ftc.gov/news-events/news/press-releases/2022/12/...
The fact that they mention a "private matter" makes me think this is some petty personal grievance that has somehow escalated to this.
Public notices for the consumer should serve the consumer. I.e. they should only relate to matters that directly concern them, such as notice of availability, warranty, support or the fulfilment of other consumers' rights. Those statements should be unambiguous and not allude to blame or personal tiffs.
While Sparkfun's statement touches on availability it merely does so as a vehicle for grandstanding and retaliation through gossip and drama. The fact that SparkFun notes it's a "private matter" yet chose to involve the public also makes SparkFun look unprofessional, even if they are 0% at fault for the circumstances.
Consumers put their trust in a company, it is disrespectful of that trust when trying to embroil them in personal affairs, they never agreed to that.