Photo finish lenses used to be wildly expensive and sometimes one of a kind.
Nankai 6000 series, Osaka:
https://i.dllu.net/nankai_19b8df3e827215a2.jpg
Scenery in France:
https://i.dllu.net/preview_l_b01915cc69f35644.png
Marseille, France:
https://i.dllu.net/preview_raw_7292be4e58de5cd0.png
California:
https://i.dllu.net/preview_raw_d5ec50534991d1a4.png
https://i.dllu.net/preview_raw_e06b551444359536.png
Sorry for the purple trees. The camera is sensitive to near infrared, in which trees are highly reflective, and I haven't taken any trains since buying an IR cut filter. Some of these also have dropped frames and other artifacts.
As for RCD demosaicing, that's my next step. The color fringing is due to the naive linear interpolation for the red and blue channels. But, with the RCD strategy, if we consider that the green channel has full coverage of the image, we could use it as a guide to make interpolation better.
I have a similar sort of fascination with a structure closer to me: Habitat 67 in Montreal. I have at various points considered buying a unit there but practicality prevents me from doing so each time. I don't know how long I'll resist.
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