On a related note, when I lived in FL, I often saw cars with this opaque plastic cover on number plates. I think these are installed by the drivers so that they can avoid paying road toll (FL has many road tolls). I also noticed that these drivers tend to be more aggressive in driving than others (that's how I noticed their license plates are covered). Will the same punishment be applied to those drivers?
On the other hand, if the writers of Star Trek The Next Generation were writing the show now, rather than 35-40 years ago - and therefore had a more expansive understanding of computer technology and were writing for an audience that could be relied upon to understand computers better than was actually the case - maybe there would've been more episodes involving dealing with the details of Future Sci-Fi Computer Systems in ways a programmer today might find recognizable.
Heck, maybe this is in fact the case for the recently-written episodes of Star Trek coming out in the past few years (that seem to be much less popular than TNG, probably because the entire media environment around broadcast television has changed drastically since TNG was made). Someone who writes for television today is more likely to have had the experience of taking a Python class in middle school than anyone writing for television decades ago (before Python existed), and maybe something of that experience might make it into an episode of television sci-fi.
As an additional point, my recollection is that the LCARS interface did in fact look slightly different over time - in early TNG seasons it was more orange-y, and in later seasons/Voyager/the TNG movies it generally had more of a purple tinge. Maybe we can attribute this in-universe to a Federation-wide UX redesign (imagine throwing in a scene where Barclay and La Forge are walking down a corridor having a friendly argument about whether the new redesign is better or worse immediately before a Red Alert that starts the main plot of the episode!). From a television production standpoint, we can attribute this to things like "the set designers were actually trying to suggest the passage of time and technology changing in the context of the show", or "the set designers wanted to have fun making a new thing" or "over the period of time that the 80s/90s incarnations of Star Trek were being made, television VFX technology itself was advancing rapidly and people wanted to try out new things that were not previously possible" - all of which have implications for real-world technology as well as fake television sci-fi technology.