Readit NewsArtists had to make a buch of art which was then given to the government. The state ended up with entire warehouses filled with crap.
That being said, wise governments recognize the value of some kind of support of the arts. One reason for the incredible esteem that Korean culture is held in within Asia is the Korean government's active support of its filmmaking, TV and music industry. This was also true in Renaissance Italy (courtesy of the Medici family) and in 17th Century France (courtesy of Louis XIV). It was even true of the CIA's active support of abstract expressionism. The payoff of such support is soft power, which is a very real force.
Japan is a perfect example of picking and choosing, keeping the very important things and building new things everywhere else.
How long will the UK keep all of these decrepit buildings? 100 more years? 1000? 10000?
And what a loss to history, in trying to keep "the good old days" alive that you don't allow current and future generations to also leave a mark in history, as if one era is more significant than the other.
Thats my only real gripe with the culture here. Too much looking back and not enough looking forward.
However.... the point I was making was somewhat different. The buildings of Borough market are still there. What has changed is the community, which has been replaced outright. Moreover, it has been replaced with a 'pseudo community' akin to what you might find in an airport - transient office workers looking for somewhere a short distance from city center. It is the commodification of community - sold to the highest bidder.
Golden ratio is very specific, whereas any proportional that is vaguely close to 1.5 (equivalently, 2:1) gets called out as an example of golden ratio.
The same tendency exists among wannabe-mathematician art critics who see a spiral and label it a logarithmic spiral or a Fibonacci spiral.
Are we really upvoting this on HN? Truly the end times have come.
We did some statistical analysis on the golden ratio and its use in art. It does indeed seem that artists gravitate away from regular geometry such as squares, thirds etc and towards recursive geometry such as the golden ratio and the root 2 rectangle. Most of our research was on old master paintings, so it might be argued that this was learned behavior, however one of our experiments seems to show that this preference is also present in those without any knowledge of such prescribed geometries.
Having traveled the world quite a bit I can attest to the ubiquity of the word hello… almost everywhere I go it is understood. ‘OK’ has a similar ubiquity, and it is interesting that both words are relatively new additions to the English (universal?) language.
Through the kunstuitleen they leased and sold art to galleries and private homes. It was like a library for contemporary art which paid struggling artists and their families, while also exposing the public to more art.
To say that "no one wanted" is a massively overblown. Thousands of art pieces lived happily in many Dutch homes.
The Young British Artists (YBA) boom of the 80s was a product of the innovative teaching environment of Goldsmiths' college plus the drive of people like Damien Hirst, who organized the ground-breaking Freeze exhibition. The British Council did their best to capitalize on this.