An absolute wordsmith, 'a pair of brown eyes' is as close to a perfect song. Novels of thousands of pages haven't told a story as deeply as that song. His version of the Band played waltzing Matilda is one of the most moving songs I've ever heard - and amazingly wrote fairytale of New York as a bet, when Elvis Costello bet him he couldn't write a Christmas song.
Wordsmith is correct and a man with abundant talent. There's a great fairly recent documentary about his rocky life called Crock of Gold.
Regarding his aptitude for song writing there's a interview with Nick Cave where he covers a Pogues song... Cave describes spending time with Shane McGowan and him having a pile of songs in a mound on the floor. Picking them up he sees there are beautiful songs just lying there most destined for oblivion. A prolific song writer to say the least. You'd wonder how many gems were lost to his irreverent nature.
I saw Shane and the Popes (and a great New York band Black 47) open for Elvis Costello in NYC many years ago. Shane walks on stage and immediately hocks a loogie in the face of a random audience member standing up front. ‘Twas a hell of a show.
From a lot of points of view the surprising thing is not that he died now it's that he lasted this long. I remember seeing the Pogues back in the 90s in the Joe Strummer period and they were awesome but it was "common knowledge" back then that Shane was extremely ill and not long for the world.
Saw the Pogues play about 10 years. Shane was offstage most of the time and was brought on to stage in a wheelchair for a couple of songs to just sort of sit there and wave. It was sad and I thought he had days to live at the time.
I saw the 1991 Xmas gig at Brixton Academy with Joe. They played a few Clash songs (London Calling, I Fought The Law, Brand New Cadillac, IIRC). I'm sad to say ... I did not see Shane.
(if they) ...stick (him) in a box ... and shove (him) in the ground ... (I'm sure he'll) stick (his) head back out and shout "we'll have another round"
It's easy to underestimate his erudition and intelligence, probably because of his always seemed to impaired by booze.
Decades ago I was on a train in Ireland and he was sitting at the table opposite to him. Like most on the train carriage, I recognised him but left him alone. Eventually someone walking through the carriage saw him and approached to quickly express his admiration/gratitude for his music and asked if he minded that he had a question about the lyrics of one of his songs. He seemed genuinely happy to engage in a conversation.
I listened, of course, and for the next 30 minutes or so, was treated to a whirlwind but fascinating tour of his ideas covering politics, philosophy, history as well as literature. He was extremely well-read. I wish I could remember the details. Maybe this transcript - https://thequietus.com/articles/09277-mark-e-smith-nick-cave... - captures the tone of the conversation.
He attended Holmewood House prep school and attained a scholarship to Westminster School. They are both very prestigious institutions in affluent areas. I think it surprises people to learn he had an excellent education and he came from a middle class (but probably not highly affluent) background.
One summer evening drunk to hell
I stood there nearly lifeless
An old man in the corner sang
Where the water lilies grow
And on the jukebox johnny sang
About a thing called love
And its how are you kid and whats your name
And how would you bloody know?
In blood and death neath a screaming sky
I lay down on the ground
And the arms and legs of other men
Were scattered all around
Some cursed, some prayed, some prayed then cursed
Then prayed and bled some more
And the only thing that I could see
Was a pair of brown eyes that was looking at me
But when we got back, labeled parts one to three
There was no pair of brown eyes waiting for me
And a rovin, a rovin, a rovin I'll go
For a pair of brown eyes
I looked at him he looked at me
All I could do was hate him
While Ray and Philomena sang
Of my elusive dream
I saw the streams, the rolling hills
Where his brown eyes were waiting
And I thought about a pair of brown eyes
That waited once for me
So drunk to hell I left the place
Sometimes crawling sometimes walking
A hungry sound came across the breeze
So I gave the walls a talking
And I heard the sounds of long ago
From the old canal
And the birds were whistling in the trees
Where the wind was gently laughing
And a rovin, a rovin, a rovin I'll go
A rovin, a rovin, a rovin I'll go
And a rovin, a rovin, a rovin I'll go
For a pair of brown eyes
For a pair of brown eyes
And a rovin, a rovin, a rovin I'll go
And a rovin, a rovin, a rovin I'll go
And a rovin, a rovin, a rovin I'll go
For a pair of brown eyes
For a pair of brown eyes
I've always maintained this is the greatest set of lyrics ever put together. Love, loss, war, ptsd - it is up there with the finest poems and sonnets ever composed.
Gutted to see Shane gone even though we all knew it was coming. He was the poet laureate of the Irish in Britain and indeed throughout the world, who had incredible humanity and an unflinching eye for the life of the underdog. His heroes were the nameless working class people who made Britain tick as much as his literary heroes like Behan and James Clarence Mangan. Good luck Shane, I hope you don't find heaven too boring!
I found this interview with Shane MacGowan... something. Maybe touching? Two excerpts:
> I didn’t, of course, expect him to look like the gangly youth with the terrible teeth who looked as if he’d bleed adrenalin. I knew that the terrible teeth, or at least a lot of the terrible teeth, had gone. But I didn’t expect him to look like this. He has, it’s true, been ill. He has, apparently, had gastroenteritis. (The doctor said he could only eat clear liquids, which MacGowan, unfortunately, took to mean gin). But the man sitting opposite me, behind a table covered with packets of pills and cigarettes, reminds me both of a hobbit and a china doll. His hair is wild. His skin is pale. His lips cover gums where there should be teeth. But his eyes are clear, bright, piercing, beautiful blue.
and
> I’m not quite sure how to follow this, so I ask what ambitions he’s got left. This time there’s no pause. “To live as long as I possibly can, and to come to terms with dying before I do.”
> For a moment, we’re both quiet. For some people, this might seem like a small thing. But when you’ve drunk as much as Shane MacGowan (and not all that many people have drunk as much as Shane MacGowan) then staying alive isn’t a small thing at all.
"It was not until he formed Pogue Mahone (a variant of Irish phrase póg mo thóin, which means "kiss my a*se"), that he was finally able to mix the rawness of punk with the Irish poetry and sentimentality of his lyrics, to huge critical and commercial acclaim."
Regarding his aptitude for song writing there's a interview with Nick Cave where he covers a Pogues song... Cave describes spending time with Shane McGowan and him having a pile of songs in a mound on the floor. Picking them up he sees there are beautiful songs just lying there most destined for oblivion. A prolific song writer to say the least. You'd wonder how many gems were lost to his irreverent nature.
Terrible shame to see him gone.
(if they) ...stick (him) in a box ... and shove (him) in the ground ... (I'm sure he'll) stick (his) head back out and shout "we'll have another round"
Decades ago I was on a train in Ireland and he was sitting at the table opposite to him. Like most on the train carriage, I recognised him but left him alone. Eventually someone walking through the carriage saw him and approached to quickly express his admiration/gratitude for his music and asked if he minded that he had a question about the lyrics of one of his songs. He seemed genuinely happy to engage in a conversation.
I listened, of course, and for the next 30 minutes or so, was treated to a whirlwind but fascinating tour of his ideas covering politics, philosophy, history as well as literature. He was extremely well-read. I wish I could remember the details. Maybe this transcript - https://thequietus.com/articles/09277-mark-e-smith-nick-cave... - captures the tone of the conversation.
Deleted Comment
> I didn’t, of course, expect him to look like the gangly youth with the terrible teeth who looked as if he’d bleed adrenalin. I knew that the terrible teeth, or at least a lot of the terrible teeth, had gone. But I didn’t expect him to look like this. He has, it’s true, been ill. He has, apparently, had gastroenteritis. (The doctor said he could only eat clear liquids, which MacGowan, unfortunately, took to mean gin). But the man sitting opposite me, behind a table covered with packets of pills and cigarettes, reminds me both of a hobbit and a china doll. His hair is wild. His skin is pale. His lips cover gums where there should be teeth. But his eyes are clear, bright, piercing, beautiful blue.
and
> I’m not quite sure how to follow this, so I ask what ambitions he’s got left. This time there’s no pause. “To live as long as I possibly can, and to come to terms with dying before I do.”
> For a moment, we’re both quiet. For some people, this might seem like a small thing. But when you’ve drunk as much as Shane MacGowan (and not all that many people have drunk as much as Shane MacGowan) then staying alive isn’t a small thing at all.
https://www.independent.co.uk/arts-entertainment/music/featu...
"It was not until he formed Pogue Mahone (a variant of Irish phrase póg mo thóin, which means "kiss my a*se"), that he was finally able to mix the rawness of punk with the Irish poetry and sentimentality of his lyrics, to huge critical and commercial acclaim."
Fairytale of New York on YouTube: https://www.youtube.com/watch?v=j9jbdgZidu8
Shane, Kirsty - RIP