It's not something that instills me with confidence when they self-describe as "scrappy", I'd like to see extra vigilance into the safety concerns.
I think that VFR videos need to be re-encoded into CFR videos in order to be able to work with all the footage shot by different devices. It sounds to me like with the Genlock feature, it could actually be possible to record CFR videos on an iPhone and also synchronize the iPhone with other devices so that both video and audio does not drift relative to other devices. But that's just my speculation as I couldn't find any details about the Genlock feature.
I would love to know how the team working on 28 years later handled synchronization of the multiple iPhones they were using to shoot some scenes of the movie and if they got a helping hand from Apple, which perhaps allowed them to use some internal APIs to access hidden features of the camera stack...
If you can do this regularly, you can keep the _effective_ cognitive size of the system small even as each closed box might be quite complex internally.
EDIT: And I think with the two-pass approach you need to calculate the filter such that you get the desired effect after two applications instead of one.
It’s a noticeable problem in audio production if e.g. a filtered kick drum goes out of phase and sucks amplitude when mixed with the original.
Someone in the media would identify a new nascent subculture, invest in catering to it, and in the process create a new demographic that advertisers could pump money into to address a specific audience. Ugly and capitalist, sure, but on the flip side, if you were a member of one of those subcultures, there'd be a steady flow of investment into the community you considered yourself a member of. If you listened to the Grateful Dead, someone would be there to sell you peace signs and tie-dye shirts. If you listened to emo punk, well, Hot Topic. The money the advertisers paid would go back into the magazines, critics, studios, etc. that would then further promote, develop, and refine the subculture--a virtuous cycle of sorts.
Google et al. negate the need for any of this. If you want to sell tie-dye shirts, you buy a slot on the "tie-die shirts" keyword. It's (arguably) more efficient for the advertiser, but, it eliminates the economic incentives for subcultures to exist. So they don't. Everyone is their own one-person-addressable subculture, which is essentially identical to one sprawling morass of culture.
What little money remains flowing into the media system chases the spontaneous flash-in-the-pan meme hits that broadly appeal, because that's all that's left.
Overall this looks like someone asked a physics undergraduate to spend an hour imagining roughly how the well-known schematic might be fitted inside a real warhead case. It probably is exactly that. I can't imagine that showing it to the North Koreans advanced their nuclear programme by any more than fifteen minutes.