In the United States at least, it is already in the 
    recording industry, as in every other activity where 
    publicity of a product depends on a quite concentrated 
    number of people. It is easy to apply pressure to them, 
    with bribes and intimidation, since there is obviously
    quite a great deal of capital and hitmen who can not be 
    recognized nor punished. By corrupting the disc-jockeys,
    one thus decides what will succeed, from equally 
    wretched commodities. [1]